From the Guggenheim Collection

DSC_4920In Amstelveen bewaren ze mensen uit Amsterdam.
Ze kunnen er eten, slapen, hun kinderen naar school brengen
en voor hetzelfde geld koop je er ‘heel wat vierkante meters meer’.
Het Cobra Museum bewaart het modernisme.
Voor een kleine toeslag kan men echte schilderijen zien, helemaal uit Amerika.
De controverse hangt er wat verbaasd bij.
In hun glazen bakken reikt de expressie niet verder
dan een klein geel spotje dat de kijker vooral zichzelf toont.
Veel mensen worden milder als ze ouder worden,
anderen voelen zich gevangen in een wereld van oude mensen die steeds milder geworden zijn.

Bernstein teaches

Recently I decided to educate myself a little more on classical forms. I always felt a bit lost when I tried to compose something that was supposed to be a formal piece, realising that I was to unsure about what the rules actually were.
I discovered this video that is part of a series of Leonard Bernstein teaching us how to listen to classical music. The series on the sonata form is for kids and crystal clear (and a bit simple). It consists of four parts, so you can continue to the next part after finishing this one. I will soon post some other episodes of the same series. His introductions of composers are some of the best I’ve ever encountered. Enjoy!

Bonny Raitt

Through Bob Lefsetz’s mailinglist I sort of rediscovered Bonny Raitt. In the future I will write an extensive post about Lefsetz too. He is a source of great musical inspiration and wit. I knew the albums of Bonny Raitt were amazing products of the recording gods of this world, but I never could imagine she was this funky. Listen to this song that is originally an Chris Smither song I believe (excellent too).
If you think this is not your cup of tea wait till the last chorus. It has a guitar noodle that will make you bounce and sing all day. Guaranteed!

Roland never imagined dance music

This is a great picture. Jazz Pianist Oscar Peterson is playing along with two of Roland’s most famous synthesizers. The TR-606 and the TB-303 were meant to be used as a drumcomputer and a bass guitar. Too bad. The machines sounded nothing like the real thing at all and after 20000 pieces they stopped production.
When electronic dance music hit the fan (we’re talking eighties), the machines were newly discovered as noise makers. Their rare status drove up the price to three times the original retail price and makes them highly sought after today. The sound of the 303 is iconic.